Thursday, January 6, 2011

THE A-LINE

Gown by Amy-Jo Tatum

The hourglass wasn’t Christian Dior’s only reinvention. His A-line hit big in 1955 and stayed with us. An A-line cut is a more modified form of hourglass, bringing with it refinement and understatement. Fitted through the bodice, the A-line can have a slight to moderate flair in the skirt. Dubbed by fashionistas as “The Deb Dress” it’s been one of the most popular silhouettes for the reason it flatters just about every figure type. This just happens to be one of my fav pieces from the Green Chic Collection, available on Etsy . . .

Wednesday, January 5, 2011

DESIGNER SPOTLIGHT: UGO ZALDI

In a world saturated with bridal gowns that all look pretty much alike, Ugo Zaldi has managed to carve a niche of pure and original invention.  Just look at these gems . . . . couture at its finest.





Tuesday, January 4, 2011

SO YOU WANT TO BE A BOHO BRIDE . . .

Defined, Boho is a fashion look borrowing from the peasant, early bohemian and hippie looks of the sixties. Boho can be earthy and ethereal all at once, with gowns sporting diaphanous fabrics topped off with head wreaths made out of fresh florals and greenery like ivy. Hitting its zenith in 2004-5, The Knot was categorizing Boho as a bridal style as early as 2000. Later actress Sienna Miller and Kate Moss brought the trend to the forefront. For me actresses like Carol Kane and Julie Delpy are naturals for this look too.


By the spring of 2005 Boho was all over New York and London. Prevalent in just about every High Street store, those donning this chic were dubbed "Siennas". If Dior's 'New Look of 1947' was a reinvention of elements from the Antebellum period, it seems Boho is 'Summer of Love' reborn.



So what does Boho have in common with bridal? Just take a look at the pictures directly above. Boho is an over-the-top romantic look and if weddings are anything they are just that. If you're into celebrating with a lot of green--both real and the eco-conscious kind, really think about this look if you haven't already incorporated some part of it into your wedding style.



Monday, January 3, 2011

A LONG VEIL


Wouldn't you agree since Chelsea's wedding last July there's more of a focus on long veils?  So what constitutes a long veil? Let's start at the ‘finger tip’ length and work all the way down to the twenty-five foot cathedral. Long veils sure paint a romantic mood by way of all that gossamer sheer. Wearing a veil dates back to ancient times and most cultures. The bridal veil in particular has been a symbol of purity as well as mystery in many traditions. Since Biblical times every era it seems has innovated the veil and how it’s worn. Victorians donned yards of handmade laces they passed on to daughters and granddaughters; 1960s brides popularized the pouf veil still stylish today.

Below: Fingertip drop veil tacked to the back of an updo

LEGNTHS

Fingertip-Most popular length; can be worn by nearly every figure type with most silhouettes. Waltz-Falls anywhere between knee and ankle.
Chapel-Considered formal. Extends about a two feet beyond the hemline.
Cathedral-Most formal. Extends three feet or more beyond the hem.
Double Tier-Two layers, typically the shorter one a blusher but not always.

Below: Chapel length drop veil


STYLES
Pouf-
width of veil is gathered at the crown and can be attached to a headpiece. Generally made out of tulle or English netting.
Dropped-Yes, actually dropped onto the head in a single layer of tulle or lace; often bordered with lace or ribbon. A Mantilla is a type of dropped veil.


Below: Cathedral length veil

 Valentino
CHOOSING YOUR VEIL-Most brides will wait till the gown is ordered before making a decision. In addition to complimenting your dress, you’ll need to consider your body type. Petite brides want to create the impression of height. They can wear pouf veils as long as the volume up top doesn’t imitate an Indian-headdress, dwarfing rather than extending height. Also if you’re short, a cathedral length veil isn’t the best choice—even a dropped version with zero density. You can get the drama and extension you need by scaling down to a waltz or chapel length to fit your proportion. Heavier and/or thick-waisted brides look best in a one layer dropped veil tacked onto a bun, falling in a swirl down the back. Go long here if you can. Try keeping your lines back and delicate, avoiding elbow length veils with lots of volume. Ditto veils edged in ribbon; they can form lines across the waist, creating width. If you’re tall you’ll want to keep the poise of your height intact without going over the edge. Go ahead and wear that cathedral veil with your long-trained ball gown. But realize even tall, sylph-like women have limitations. Princess Diana who was a stunning 5’10”, over-volumized her height her wedding day when she piled layers of tulle atop a dress already screaming of über-pouf. Face it, we all have to work on getting the symmetry right.
Generally, more ornamental gowns look best with simple veils, like one layer of tulle with narrow edging or no edging at all; whereas all over lace veils or ones edged with wide borders require a simple gown with little adornment. Your dress might have some exquisite back details you want to show off. If this is the case select a shorter veil like a fly away or net pouf. Want a more romantic look? Try a layer of tulle— preferably in a dropped style that doesn’t fall in creases and folds across your back. Tulle is the best fabric for this; it’s transparent enough without being so opaque to fog detail. If your gown has no train, wearing a chapel or cathedral length veil can create one—especially elegant when bordered in wide-edged lace or there’s a concentration of lacework on the train portion.
AFTER THE CEREMONY-If you’re in a long veil and want to remove part of it for the reception, have your salon work out the fastening system with you and whomever is helping you. Taking off the entire veil? Exactly when during the reception is up to you; it depends on whether you want to be veiled in photos cutting cake, toasting, dancing, etc. Some brides wear their veil the entire day. And I suppose this is because there is nothing quite like a white veil that says . . . Today is the only day I will ever be a Bride . . .

Below: Two different versions of the chapel veil


Sunday, January 2, 2011

Wedding Bridal Grown 2011

Wedding Bridal Grown 2011 [link]

SPARKLES IN HER EYES

Sparkles in Her Eyes
Thank you Shana over at SMP Style Circle, you've inspired us all once more with one of your gorgeous medleys.  These mauvey and pink shades mixed with beige remind me of  the exquisite detail of Sophia Copola doing Marie Antoinette.  You can see more of Shana's work on her fun blog, Bubbles and Baubles.

Saturday, January 1, 2011

IS GRAY THE NEW BLACK?

B&W Charm
Ringing in the new year here!  Thank you so much to Tuyet Nguyen over at SMP Style Circle for this beautiful inspiration.  Gorgeous isn't it?  Contrary to popular belief, gray actually does look great on everyone, even blondes and redheads; the trick is finding your particular shade.  I grew up in a gray home, my father loved gray and painted inside and out this elegant neutral that to me is as calming as blue.